Adella Yarbro Collins, The Combat Myth (1976, 2001) concludes (84) that “Revelation 12 reflects the pattern of the Leto myth, but in such a way that the goddess has been assimilated to the high-goddess Isis.” I agreed (Roman Domestic Art [2008], chap. V) and observed that the Isis myth was visually represented by the Io, Hermes, Argos myth, which was painted in the House of Livia on the Palatine, as well as in the Temple of Isis, the market, and several houses in Pompeii. Nicias, an artist well known in Ephesus, painted the original visual representation of Io; therefore, the image would have been known not only in Rome and Pompeii, but also in Ephesus, one of the churches to which John was writing. The verbal image sketched by the author of Revelation subverted a visual Imperial conflict myth. Last fall I discovered that other visual representations confirm these hypotheses: the cult statues in the most important temple in the Empire, the Temple to Apollo that Augustus built next to his own house on the Palatine are of Leto, Artemis, Apollo and the humble Sibyl. The Base di Sorrento preserves images of these Imperial cult statues.