Included in the Qur’an are references to episodes, characters, and ideas in the Hebrew Bible and New Testament. In her literary study, Mary in the Qur’an, Hosn Abboud explains that, given qur’anic omissions, the narratorial voice assumes that the listeners already have some knowledge of the story.” Connecting narrative to message, Karen Bauer and Feras Hamza, in their study of tafsir, opine that the “main purpose of Qur’anic narrative is always eschatological” and individual outcomes result not only from piety, as in the worship of God, but also in the treatment of others. With the help of the literary tool of typology, this paper examines the appearance of five, key women—Tamar, Rahab, Ruth, Bathsheba, and Mary and argues that attributes associated with the five help define not only positive individual, eschatological outcomes but, by extension, inform prophetic and messianic qualities. Recent qur’anic work by Amira Abou-Talib on beauty and goodness and Emran El-Badawi on female divinity as well as earlier scholarship help in identifying the attributes associated with these women figures that are gender inclusive and appear as preeminent characteristics in the messianic lineage.